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The manner in which the obi is tied and its position
on the body are also important. Most obi knots derive from a single
"boxy pouf" called the taiko. From this general style stem
several variations that distinguish an old, married woman from a
young, single lady. The number of styles afforded to the single
lady are greater than those afforded to the older, married woman.
Just as in origami, where colorful sheets of paper are cleverly
folded to produce animals, birds and flowers, so might a young lady's
obi be tied in the fanciful shapes of an iris, an egret or a turtle.
Where obi position is concerned, the general rule is the younger
(and more sexually inexperienced) the female, the higher the obi
position. A girl's obi, therefore, is tied high on the ribcage;
whereas an older, married woman's obi rests on her hips. The obi
accessories, such as the cord and scarf, echo this rule: the obi
cord (obijime) is placed on the top third of a girl's obi
and the brightly colored scarf (obiage) peeks over the top
of the obi about two inches; on an older, married woman, the cord
rests on the bottom third of the obi and the scarf is barely visible.
(Geisha tend to wear their obi lower, near the hips—a subtle indicator
of their sexual experience.)
Left: Obi and obi accessories
arranged depending on age and marital status.
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Unfortunately, kimono are
seen less and less in Japan. Men have abandoned them almost entirely
in favor of the Euro-American business suit. They are also less
and less popular with women, and are often seen only on older women,
brides, or geisha. Technology no doubt has something to do with
this—after all, a kimono might not be the most practical clothing
on the subway, in the grocery store or on a bicycle. But thankfully,
fashion has a way of coming full circle, and Jolique remains optimistic
that kimono will someday enjoy a renaissance. After all, the full-length
Victorian ball gown is still seen at operas and weddings; bell-bottom
jeans can be seen on nearly every U.S. college campus; and Madonna's
hennaed hands will no doubt inspire an Indian fashion revival. In
fifty years' time, who knows? The kimono might be the thing
to wear to an art opening! Think twice before throwing away your
grandmother's beautiful glossed silk kimono, brocaded obi or handsomely-carved
geta—fashion is the ultimate recyclable.
Interesting Links to Kimono
and Obi History:
http://web.mit.edu/jpnet/kimono/
http://www.asianart.org/kimonos.htm
http://www.eastwestantiques.com/cate.html
(displays of antique obi now used as tablecloths)
http://www.niwa.org/obis.html
Bibliography:
-Dalby, Liza Crihfield. Kimono: Fashioning Culture.
(New Haven: Yale University Press, 1993).
-San Francisco Airport Commission, Beauty and Culture, 1999-2000,
http://www.sfoarts.org/exhibits/367
(3 March 2000).
-Sichel, Marion. Japan. (New York: Chelsea House Publishers,
1987).
Photo Credits:
Ledesdale, Lord, GCVO, KCB. Tales of Old Japan.
(London: MacMillan and Co., Ltd., 1908), 34.
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